For more than four decades, Rajinikanth has reigned over Tamil cinema as a larger-than-life figure, celebrated for his unmatched screen presence, mass appeal, and box office dominance. Yet, among the many directors who have worked with him, Pa. Ranjith stands out — not for amplifying the star’s mass image, but for taking a different creative route.
Between 2016 and 2018, Ranjith directed Rajinikanth in two films: Kabali and Kaala. Eschewing the fan-service gimmicks, cameo-packed spectacles, and nostalgia-driven references that had become common in Rajini’s later career, Ranjith instead built films around strong narratives, grounded socio-political themes, and space for performance rather than just style. Supporters of Ranjith argue that he was the only filmmaker in the past two decades to truly utilise Rajinikanth’s acting range, crafting roles that matched his age, charisma, and dramatic capabilities.
However, the same qualities that earned praise from a section of cinephiles alienated a portion of Rajini’s traditional fan base. Many mass audience members, accustomed to high-octane heroism, felt disconnected from Ranjith’s politically charged storytelling. Some even go so far as to blame Ranjith for the star’s so-called “downfall” in that period, arguing that the films diluted his commercial appeal and failed to leverage his “mass” image.
Adding to the controversy, Kaala’s release was clouded by political tensions, particularly Rajinikanth’s comments during the Tuticorin protest aftermath, which some claim impacted the film’s reception more than its content. Others believe the films were victims of a mismatch in ideology — with Rajini’s personal beliefs and Ranjith’s social-political narratives sometimes clashing in the public perception.
Still, the legacy of Kabali and Kaala is complex. Both films showcased Rajini in layered performances — tender romance in Kaala, emotional depth in Kabali, and a restrained, dignified screen presence throughout. Whether one views them as career missteps or artistic milestones often depends on whether they see Rajinikanth primarily as a “mass hero” or as a versatile actor.
In the years since, Rajinikanth’s projects like Petta, Jailer, and Coolie have leaned heavily back into his signature mass image — and have enjoyed significant commercial success. Yet, for a section of the audience, Ranjith’s films remain among the most artistically ambitious works in the star’s later career, offering a rare glimpse of performance over persona.
