With anticipation mounting for the grand premiere of Mookuthi Amman 2 on November 6, veteran director Sundar C has stepped forward to dismantle circulating rumours about the extensive application of artificial intelligence in the film’s post-production. Addressing industry colleagues and media delegates during the movie’s pre-release event in Chennai, the filmmaker offered an unambiguous, detailed clarification regarding how digital wizardry was actually achieved on screen.
The fantasy sequel, which features Lady Superstar Nayanthara reprising her revered avatar as the divine protector alongside versatile performers like Regina Cassandra and Duniya Vijay, had faced unsolicited online scrutiny following promotional teasers. Several social media commentators hastily asserted that the production had swapped traditional computer-generated imagery for algorithmic generators.
Sundar C emphatically refuted these speculations, providing concrete figures to silence the skeptics. He noted that across more than 3,000 visual effects shots designed to create the mythological world, artificial intelligence was deployed in merely 15 specific instances. The remaining 99.5 percent of the project’s digital work, he underscored, was meticulously conceptualised, animated, and rendered through the tireless dedication of homegrown technical talent.
The filmmaker expressed visible emotion while describing the rigorous timeline behind the cinematic endeavour. A technical brigade of nearly 400 visual effects professionals, alongside a broader production crew spanning over 800 individuals, laboured day and night for over 18 months to craft each sequence. Sundar C remarked that dismissing hundreds of days of painstaking human effort under the blanket umbrella of “machine-generated graphics” undermines the pride and sweat of local Tamil artists.
“True heroes do not simply inhabit the silver screen; they often work behind the scenes in editing suites and graphics studios,” the director pointed out. While acknowledging that modern generative utilities are reshaping global creative pipelines and will inevitably integrate further into industries beyond graphic design, he made it clear that Mookuthi Amman 2 remains a triumph of conventional artistry, hand-crafted detail, and relentless collaboration.
Sundar C also acknowledged the collaborative freedom afforded by producer Dr. Ishari K. Ganesh under the Vels Film International banner. Bringing an expansive fantasy canvas to life required substantial financial trust and creative patience, making the project one of the most demanding ventures in the director’s multi-decade filmography. He welcomed healthy criticism once audiences experience the full theatrical spectacle, urging moviegoers to embrace the hard work of regional animators before leaping to premature conclusions.
As the countdown to the November 6 festival release begins, Sundar C’s passionate intervention shifts the spotlight away from online cynicism, steering attention squarely back toward where it belongs: the sheer talent, discipline, and creative heartbeat of Tamil technicians.